The Revolution has begun - and it will not be Televised The new Artist Development Paradigm
In reflecting on the world of the Music Business in 2004, there were some very profound and dramatic changes that changed the nature of the Music Business itself. 2004 will always be remembered as the year the 'Big Five' became the 'Big Four' and don't be surprised if you're reading at this time next year and we're telling you about the 'Big Three'! Beside the Sony/BMG merger, 2004 will also be remembered as the year labels utilized aggressively utilized video games as a marketing vehicle for the launching of many of their artists.
It will also be remembered as the year when the public finally said "No Thanks" to the Concert Business in a very loud and clear way. The summer touring season especially, was taught some very painful and costly lessons regarding who and exactly how much the public is willing to pay to see an act and what they are no longer willing to pay for! As a result Clear Channel has removed Service fees from its ticket prices and drastically reduced parking at many of its venues. The Industry also learned some very valuable (and long overdue) lessons on the volume of acts the marketplace is able to absorb as well as the actual live-viability of some of those acts.
Of course, the most profound impact on the the music business, was the closure of four major labels; DreamWorks, Arista, Elektra and MCA (although MCA was reborn with far less staff as Geffen). These closures accounted for the loss of nearly 600 jobs. New labels were not as plentiful as in years past.
Of note, EMI Music Publishing Executive Evan Lamberg formed E.V.L.A., a new label via Atlantic for EMI-signed writers, Simon Fuller (American Idol) formed 19 Recordings in the US and UK, Artist Manager Dave Benveniste has a new label venture - Velvet Hammer Music via Sony/BMG and Artist Manager Joe Simpson (manager/father of Ashley & Jessica Simpson)formed JT via Geffen, Producer Kanye West has formed Good Music via Sony/BMG in Los Angeles. Shaquille O'Neal has come back into the Music Business via Deja 34 out of Atlanta.
In looking back over the past year, we're reminded of the many conversations we had with various Music Business Professionals from both sides of the Atlantic concerning the current state of the today's Music Industry. Without exception, there seems to be a very sobering sense that the Record Business we have known for the last 25 years is now gone. This is extremely troubling for many, sad for some and terribly exciting for others.
We see these times as an incredible opportunity for a total re-invention not just for Record Label A&R Depts., but for the entire spectrum of the Music Industry. If you as an Artist, Band, Agent, Manager or any other Music Business professional can not see that the old paradigm of artist development (the actual long-term process of building a career from the ground up) has been completely re-invented over the last few years, then you need to get out of this business. The old methods of doing things no longer apply. This may sound obvious to many of you, but you wouldn't believe how many so-called professionals within the business today that we speak to still believe that the only way an act can have a viable career today is to get that act signed to a major label. What we find so sad is that these people who believe this (and there are many) cannot even see that the very system they feel can & will accomplish this for an artist no longer even exists!
We've said this before, but it bears repeating - though no one has actually come out and said it (truth is, they may not even be consciously aware of it), Major Labels today are, with very rare exception, no longer willing to be in the business they have built over the last forty years. The 'old' process of signing, recording and developing talent takes far too long and is way too costly to achieve the results they desire in the time they have allotted. As a consequence, whether intended or not, (and this is the part many people simply can not see) is the Major Labels are now in the Promotion and Marketing business, but of course, only for those experienced artists who have already been developed that can be turned into Multi-Platinum sellers. Well, that certainly would be great, but that just isn't the world we live in anymore. Of course, there will always be Platinum sellers in the future, but far fewer of them. Today, there is simply too much choice available.
It's fascinating to observe some of the most influential Music Publications out there today such as pitchforkmedia.com, Blender to name 2 have hardly any mainstream artists in their Top 50 of 2004. Today, it's all about choices. The future of the music business will be thousands of niche artists selling fewer records. Much like cable television, which has a fraction of the audience but is profitable! And this is the most profound difference from the past in terms of A&R signings and looking at what will work in the Marketplace.
Under the old paradigm, the public, the majority of the time, only wanted (with few exceptions) what the Major Labels signed and sold to them (of course, that may have something to do with what was available, which is our point). Today, choices of music, are vastly wider and you have a far more of a diverse artist selection, not to mention various new formats make the choices almost infinite. And, as most of us have known for years, the marketplace is far broader (yes, people between the ages of 30-50 WILL BUY MUSIC when presented with Artists that they can connect with) than the Major Labels ever cared to acknowledge. How else could Ray Charles sell two million copies of a CD via a coffee chain (Starbucks) (before winning 5 Grammy's) or James Taylor sell over 1.3 million Christmas CD's via Hallmark without his CD even being available at retail? If either of these artists were at a Major Label, (James Taylor was with Columbia/SONY for 27 years up until last year) they most likely would not have sold more than 100,000 copies- tops!
These two examples provide an insightful illustration why several of the Major Labels are struggling today for their very survival. They truly can't see what their customers want. But in much deeper sense they have no desire to get to know what their customers want either. Don't get me wrong, there are several wonderful executives who work for the Major Labels, it's just that the corporate culture of most Major Labels at the top is so profoundly out of touch with the times we live in, they can not see their own part in the problems that face them. The building of careers is a luxury of time they no longer choose to contribute to. They THINK they do, but the reality is the opposite. In the merger of Sony & BMG's Music Divisions, they will let go of approximately 2,500 of their employees over the next five months, about 12% of their workforce and with 45% to 50% of that number coming from the U.S. operations. At this point, no one knows how many labels among the two labels will be closed or how many artists will be dropped by both companies as these two giants continue to streamline their worldwide music operations into one.
What's so sad about this merger in particular is that, unlike some mergers, where the intention of the merger is a vision of creating something greater, and better, something that neither company could achieve alone, this merger seems to be a grasp at mere survival. Other Major Label Groups have also streamlined their operations. Warner Music Group will let go of over 1600 employees during the next year and just recently dropped 93 of the 195 artists from their rosters (47%) and closed Elektra, a once thriving and core label within the Warner system. Last year EMI announced that it would drop 20% of its Artist roster over the next 12 months. Does this sound like an Industry that's interested in building or developing anything? It's like a struggling marriage where neither party is open, willing or even capable of really seeing what the issues are that continue to keep them stuck! So they just keep making decisions over and over that allow them to avoid examining what is really essential to their own survival!
'The Revolution has begun!'
The opportunities today are vast and limitless for those artists, bands, managers, and other individuals and companies who truly understand what is actually occurring, who can step back and see the decaying mechanism that many are still struggling to maintain for what it is - not only a crumbling business model, but an entire way of viewing the world in which we used to live, but no longer do! The personal, business and artistic successes we are seeing today are from those individuals who can peer through this fog of delusion and see the business as it actually is; not as they want it to be or hope it will become, but how it actually is! Those individuals are moving freely and creatively interacting with our new social order while others, including some politicians (and apparently a lot of voters), are still clinging to a world or a way of thinking and being that no longer exists. It's only a faint echo acting like some spirit lingering that does not know its dead. Enough of us have had enough therapy to know that often in life, some of our biggest upsets are created by our refusal to see the difference between a world that we make believe exists and the world that truly does exist.
Forward-thinking Artist Managers, Agents, Venues, Indie Labels and the artists themselves are the ones who have become (and truthfully have been for some time) responsible for building the next generation of career-artists. There are many current examples that illustrate this. Look at what Ken Levitan (Vector Management) has so tastefully achieved with the launching of Damien Rice's career. Or how Coran Capsahw (Red Light Management) helped build and develop Dave Matthews' career before RCA signed him, by never losing sight of what the most fundamental elements are in this business - Artist & Audience. Or Martin Kirkup & Steve Jensen (Direct Management) who have launched Jamie Cullum, a young "piano man" who had put out his own CD prior to his debut. The choices they made along the way in Cullums career, from showcasing him to the tastemakers at SXSW last year to not over-hyping him illustrate an entirely different way of thinking about an Artist and their career. Another great example is The Scissor Sisters, who went to the UK to launch their career, after finding no one in the US willing to sign them. Both of these acts went on to sell more than two million copies of their debut CD's. More importantly, they have found been able to build a solid audience for themselves. Careers are not supposed to be events, that have huge a build-up and then are over like The Super Bowl. The best ones are long journey's that are built on a solid and viable foundation that can sustain a wide array of paths and experiences. Each of these artists was able to build extremely solid and viable foundations without a Major Label and in most cases, no mainstream radio airplay at all. What these artists (and their managers) have in common (regardless of genre) was an entirely new way of thinking and approaching the marketplace with regards to the development of their careers. They all utilized new and non-traditional methods that did not have the luxury of an enormous marketing push behind it to create awareness. Most were lucky at the start to get Public Radio exposure and critical acclaim.
But today with so many more marketing and exposure options available to artists (ipods, webcasting, internet radio, websites, non-traditional retail; Amazon & Itunes to name just two) the acts who develop and build a career for themselves won't necessarily be household names in the first few years, but will instead have built something musch more important - a very solid base of fans that actually want their music and will attend their live performances. These artists will have built their following over a long period of time, not through hype and over-exposure on MTV or other media outlets that in so many cases today actually damage careers instead of enhancing them. Today, more than ever, we're looking for something real, something we feel a strong connection with. And more and more, we're finding it in non-traditional ways.
This is the tragedy of Major Labels -(Tragedy, in the classic definition is defined as "the fall from greatness through an unseen flaw in ones character). They keep looking for the "formula" that will give them the huge Multi-Platinum sellers that they once enjoyed. Only problem is, the system today doesn't allow these types of massive sellers like it did in the past. Today, we have far too many choices. And that's their tragic flaw. Major labels can not see that the harder and louder they continue to market their acts, the more the audience they're trying to reach doesn't seem to hear them or care for that matter.
It is this particular phenomenon that we believe will alter the type of artists, regardless of style, that will emerge and be able to build viable careers for themselves in the coming years. Will this new business model look like what came before? Not a chance! This will be one of the more difficult lessons for us as an industry to truly get. Letting go of what we've always held as the definition of success (Out-of The Box Top-10 radio hits, videos on MTV, endorsements for anything and everything, TV commercials, transitioning into motion pictures) These vehicles will no longer be seen as a path to career longevity. These are all things we have seen over and over during the last 5 years that have hurt careers when they occur too quickly or without any restraint. Too many of today's 'hit' artists seem so afraid that this moment right now is their ONLY chance in life to have a career, that they simply overwhelm the marketplace with every conceivable form of over-exposure, and often like the Major Labels, don't even see their own part in the short-circuiting of there own careers. Beyonce, Queen Latifah and even the wonderful actor Jude Law - who has appeared in six films over the last 7 months -- are three examples who come to mind in different arenas of entertainment. Radio Hits, television ads, forgettable movies, MTV videos, magazine covers (Beyonce's 25 non-music magazine covers over the last 18 months were enough to overwhelm and alienate even the most devoted fan), along with countless product endorsements, award show appearances, movie premiers, television interviews, even boxes of hair color that stare back at you with their image from every grocery shelf in America. So many of today's act's are not out of our cultural conscienceness for more than an hour. How can you ever look forward to anything when it's never gone long enough to miss it? It's like meeting someone for the first time and feeling you have to tell them every single thing about yourself on the first date. What's the mystery? What's left to discover? And yet this has become, especially in the Music Business of the last 12 years the "accepted modus operendi" to launching a hit act. Is it any wonder that we don't have many artists who've built successful musical careers for themselves over the last 10-15 years?
The new breed of artists and managers (and yes, there are a few who do think long-term) emerging today do not appear to see their clients careers with this same unhealthy compulsion. They have a solid grasp of who and what they are and have been able to map out a career path that is consistent with that vision. This, more than anything is what will contribute toward building an artists career, rather than destroying it.
A development in the industry that we would be remiss in not mentioning is the recent trend of "upstreaming". This is where an Independent label develops an act from the ground up and at a certain sales level, the act goes upstream to the Major Label system. The catch is, of course, that the smaller label will have to give up their acts to the major if the acts become successful. The great flaw in this scenario is that the major labels have traditionally thought that any act doing 100-250K on an independent label should be able to do at least three times that within a Major Label System. As we've seen over the last few years, 'it just ain't so!' Most acts do not go from 150K to 500K in the course of 1 album. And there is nothing wrong with that. An act's evolution (artistic & commercial development) is an organic process and a long one. We don't expect children to walk in their first six months nor should we. Often, the problems with the Major Labels' expectations are the unrealistic sales goals set for their acts simply because the act is now in a 'Major' system. So often I've seen labels set their spending based on totally unrealistic sales expectations. All too often, a label declares that its sales goals have not been met and drops the act. Is it any wonder that our industry has produced fewer and fewer career artists over the last fifteen years? That is also why all of the Major Label Artist Rosters will continue to get smaller and smaller. Like we said, they no longer have the desire to be in the career-building, artist development business and, as such, no longer need the enormous infrastructures they once had when they needed to support three hundred artists on a roster. With the labels continuing to operate in this manner, you have to wonder where the great catalogs of the future will will come from. Well, one thing's for certain, it won't be from the major labels - they have no interest in this process. They want the natural forces of the marketplace to develop talent for them.
It is a truly fascinating phenomenon to watch the major labels put time, money, energy and focus into developing up and coming independent labels rather than develop artists themselves, something they historically di so well over the last 40 years.
The most fascinating aspect of this entire process to us is how many artists and bands today WANT NOTHING WHATSOEVER TO DO WITH MAJOR LABELS AT ALL! This is a truly a growing sentiment among alot of unsigned acts today. A lot of Artists today, have seen too many acts careers over the last 10 years meander, implode or become lost in a system that they truly had no business being in the first place.
If Major Labels are to survive in the future they are going to have to re-invent themselves. They are going to have to start seeing their business as it truly is today - Not how they would "like it to be" or "how it was" but how it actually is. Like Werner Ehart so brilliantly said "The Truth will set you free, but first it will really piss you off!
Ritch EsraStephen Trumbull Publishers Music Business Registry 818-995-7458
What’s that music? 13 pieces from screens and memes, and where to catch them live in Philly. - The Philadelphia Inquirer
What’s that music? 13 pieces from screens and memes, and where to catch them live in Philly. The Philadelphia Inquirer
A great music town — get up and dance! | Why we (still) love Chico Chico Enterprise-Record
Opinion: Is TikTok ruining music? The Washtenaw Voice
Music, story-telling part of holiday events at Maritime Museum Herald Palladium
Why Certain Types of Music Make Our Brains Sing, and Others Don’t Neuroscience News
Holiday music performances announced | News, Sports, Jobs - The Sentinel Lewistown Sentinel
Charles Koppelman, Legendary Music Executive and Former Chairman of Martha Stewart's Company, Dies at 82 - Variety
Charles Koppelman, Legendary Music Executive and Former Chairman of Martha Stewart's Company, Dies at 82 Variety
Westerly High Music HOF announces new slate of inductees The Westerly Sun
Music for the mouse: Steamboat band gets invite to play at Disney World Steamboat Pilot & Today
Button factory saw productivity loss with steamboat music Burlington Hawk Eye
Music & the Spoken Word: What can we give Him? Church News
Jazz man Joe Jennings keeps the music playing The Atlanta Voice
3 fun music shows coming up in Marin Marin Independent Journal
Palm capture their living, breathing music on kaleidoscopic new LP 'Nicks and Grazes' - The Key @ XPN
Holiday arts guide: A season of joy in classical music St. Paul Pioneer Press
Dundee Vocal Music earns honors; planning fundraising dinner Monroe Evening News
‘Music Man’ Dudley Birder dies at 95 WeAreGreenBay.com
Facing the Music, Two Refugees Choose To Rebuild Walmart Corporate
Watch: Lim Young Woong Takes 1st Win For “London Boy” On “Music Core”; Performances By EXO's Chen, VERIVERY, And More - soompi
Watch: Lim Young Woong Takes 1st Win For “London Boy” On “Music Core”; Performances By EXO's Chen, VERIVERY, And More soompi
5 Classical Music Albums You Can Listen to Right Now The New York Times
Bhaini Sahib music festival: Steeped deep in Hindustani classical music The Tribune India
Review: St. Paul Chamber Orchestra’s homage to American music covers vast, entertaining ground - St. Paul Pioneer Press
Review: St. Paul Chamber Orchestra’s homage to American music covers vast, entertaining ground St. Paul Pioneer Press
Sphinx Was Ahead of the Curve on Diversity in Classical Music The New York Times
Deepening music distribution with NextStar Guardian Nigeria
The Art of Music - richmondmagazine.com Richmond magazine
NHPR Folk Music and Dance Calendar 11.27.22 | New Hampshire Public Radio - New Hampshire Public Radio
NHPR Folk Music and Dance Calendar 11.27.22 | New Hampshire Public Radio New Hampshire Public Radio
Honey Dijon Steps Up From Dance Music’s Underground The New York Times
Jennifer Lopez Unveils New Music Project 'This Is Me…Now' On 20th Anniversary Of Her 'This Is Me…Then' Album - Deadline
Jennifer Lopez Unveils New Music Project 'This Is Me…Now' On 20th Anniversary Of Her 'This Is Me…Then' Album Deadline
The 15 Best Music Books of 2022 Pitchfork
A music empire goes dark: Musicians, club owners wonder what's happened to Iron Horse Entertainment Group - GazetteNET
A music empire goes dark: Musicians, club owners wonder what's happened to Iron Horse Entertainment Group GazetteNET
Duo share love of music in former Saratoga Guitar shop space in Saratoga Springs - The Daily Gazette
Itasca Symphony performs 250 years of holiday music traditions From Haydn to Ho Ho Ho, the First Noel to the Nutcracker, the Itasca Symphony Orchestra celebrates the season Saturday, Dec. 3 at the Reif - Herald Review
Itasca Symphony performs 250 years of holiday music traditions From Haydn to Ho Ho Ho, the First Noel to the Nutcracker, the Itasca Symphony Orchestra celebrates the season Saturday, Dec. 3 at the Reif Herald Review
Psycho YP…Drilling Hip Hop Music On The Global Charts Guardian Nigeria
CMU Digest 27.11.22: Ticketmaster, Adidas, UK Music, Deutsche Grammophon, clubbing culture impact - Complete Music Update
CMU Digest 27.11.22: Ticketmaster, Adidas, UK Music, Deutsche Grammophon, clubbing culture impact Complete Music Update
Faking the Funk: How Bootsy Collins Impostors Pulled Off the Ultimate Music Biz Scam - Rolling Stone
It’s now easier to promote music —African China Punch Newspapers
This Week in Baton Rouge: Jazz music, holiday decorating, modernized Shakespeare - The Reveille, LSU's student newspaper
This Week in Baton Rouge: Jazz music, holiday decorating, modernized Shakespeare The Reveille, LSU's student newspaper
Drawing lessons, parades, music and more: here are five things to do in Mesquite the week of Nov. 27 - Star Local Media
Drawing lessons, parades, music and more: here are five things to do in Mesquite the week of Nov. 27 Star Local Media
In Life and Music, Ned Rorem Was Unwaveringly Himself The New York Times
‘What If I Don’t Like Music Anymore?’: A Wildly Honest Conversation Between BTS’ RM and Pharrell Williams - Rolling Stone
‘What If I Don’t Like Music Anymore?’: A Wildly Honest Conversation Between BTS’ RM and Pharrell Williams Rolling Stone
Musical taste may be influenced by personality traits, resarchers say The Washington Post
YouTube announces Creator Music, a new way for creators to shop for songs for use in videos - TechCrunch
YouTube announces Creator Music, a new way for creators to shop for songs for use in videos TechCrunch
Has streaming made it harder to discover new music? The Guardian
‘There’s endless choice, but you’re not listening’: fans quitting Spotify to save their love of music - The Guardian
‘There’s endless choice, but you’re not listening’: fans quitting Spotify to save their love of music The Guardian
The music lives on Apple
New Music Friday: FKJ, ELUCID, Nick Mulvey, Mother Nature, Midori Takada : All Songs Considered - NPR
Is Old Music Killing New Music? The Atlantic
Pop Music's Nostalgia Obsession The Atlantic
Who invented music? The search for stone flutes, clay whistles and the dawn of song - The Conversation
Who invented music? The search for stone flutes, clay whistles and the dawn of song The Conversation
How music can help kids pay attention and more The Washington Post
TikTok Parent ByteDance Sets Sights on Spotify With Music-Streaming Expansion - The Wall Street Journal
TikTok Parent ByteDance Sets Sights on Spotify With Music-Streaming Expansion The Wall Street Journal
Apple Music Apple
The Best Music of 2021 The New Yorker
Home Run Gigs
Are you still playing your heart out to small audiences on gigs at unappreciative dives (excuse me, I meant to say nightclubs) that feel paying you a couple of hundred dollars for a 3-4 hour gig is also paying you about $150 too much?Unless you are a masochist, why do you continue to take such beatings? Is it due to laziness, complacency, cynicism, your now being jaded, or a combination of any of the above?Are you aware that you could dramatically improve your live performance income by making simple changes in the types of performances that you accept?For instance, see the below list of gig types and the average earnings possible, compared to traditional nightclub work:* Weddings ($1,000 *minimum* for 2-3 hours work)Instead of working yourself to death, so to speak, by chasing wedding performance opportunities on an individual basis, consider approaching a number of area caterers and offering your services to them as an add-on to their own services as, obviously, they will have significantly more client opportunities.Not only will your music service now give catering companies more value, as the client can now also purchase the wedding entertainment through a single source as opposed to contracting performers separately, but this single joint venture alone will dramatically increase your income, and on a more consistent basis.
So You Wanna Learn How To Start a Record Label?
Well, you love music so much that you have decided you want to start a record label of your own. This can be a very exciting step and a fun one.
Is the Record Album Dead? Not by a Long Shot
In 1982, Sony and Philips introduced the compact disc, a digital music playback format that used a laser to read the disc. The compact disc was expected to quickly replace the long play record album (LP) that Columbia had introduced in 1949.
Radio - What's Happened To It?
Remember when radio stations played great music?OK, before you accuse me of sounding like your dad, I'll rephrase that. Remember when radio stations played an exciting variety of music and artists and you never knew what they would play and when?Well my friends if you do remember that, you've probably been around awhile.
Dance Musics Most Popular and Enduring Theme: The Declaration of Independence
It all started with Gloria Gaynor's "I Will Survive" in 1979, perhaps the biggest fluke in popular music history. To follow up her hit "Never Can Say Goodbye", Gloria's label issued a song called "Substitute".
Wal-Mart Music Downloads, Napster and Other Legal Digital Music Download Sites
Digital Music Download. Ever since file-sharing programs entered the hard drives of our computers, people have wanted the best place for a digital music download.
A Guitar Lesson to Help You Develop Your Vision
Have you ever done any of the following?1. Made excuses for not practicing because you "didn't have time"?2.
Just 3 Chords? No Way!
A student wrote me an email about the lesson "Ocean Dreams." Here it is:"Dear Edward, I can't believe that you're using just 3 chords for this piece.
The Future for Independent Record Labels
Small independent record labels are facing a different fight today to obtain a share of the music industry. The best possible means in which small labels were able to get their CD's sold vanished in 2003 when Southwest Wholesale Records and Tapes closed the doors.
A Dying Cat And A Nylon String Guitar
"Music isn't just learning notes and playing them, you learn notes to play to the music of your soul" - Katie Greenwood.Why are you learning music anyway? Is it to pick up chicks? Is it to fulfill a void in your mundane life? Is it an indescribable calling?I always wanted to learn the drums.
Reaching For The Soul Zone
Every searching artist wants to get there. It's that magical place where something takes over, you know, when something bigger than you whispers in your ear and says "Relax - I'll take it from here!"I like to call it the 'soul zone', others simply call it the 'zone', I'm sure there are many other names for it.
Win Friends & Influence People Through Music -- Is It Possible?
The idea that studying music improves the social development of a child is not a new one, but at last there is incontrovertible evidence from a study conducted out of the University of Toronto.The study, published in the August issue of Psychological Science was led by Dr.
Defining The True Artist - Do You Have What It Takes?
"The real communicating artists seek unique expression. They are not interested anymore in sounding like their heroes, they are searching constantly, developing and refining their own unique voice.
Warner Music Executive Payments
"In human life, art may arise from almost any activity, and once it does so, it is launched on a long road of exploration, invention, freedom to the limits of extravagance, interference to the point of frustration, finally discipline, controlling constant change and growth." Susanne Langer (1895-1985)CommentaryIn these times of major record label mergers, downsizing, the slashing of label rosters, and thousands of record company jobs being lost over the last three years--not to mention the enormous sea change and seismic shifts that technology has wrought--comes one of the most disturbing reports we have come across.
Bagpipe Lessons In Your Own Home !
Bringing Bagpipe Tuition to Everyone, Everywhere.I have been teaching music for many years and always thought that there must be a better way of reaching more people who have a desire to learn a musical instrument but who have no idea of how to go about it.
Launch Pad Introduces Subliminal
Who would have ever thought that a call out for a guitar player from the audience would turn into such a wow! Beginning the night off at Launch Pad playing excellent covers of Eagles and Jimi Hendrix it could only follow by something as extraordinary as beat boxing.Subliminal was the one who amazed me and everyone else by doing what famous beatboxing legend Rahzel is known for, which is spitting out the chorus and the beat at the same time using only his vocals.
Piano Playing Your Way: How To Have More Fun Playing The Piano Than You Ever Have Before
Piano playing doesn't have to be boring. There's no law that says you have to play a song the same way everyone else plays it.
Buying A Guitar - Do You Know What To Look For?
Buying a guitar is an important decision that my students have often asked me about. They want to know what they should be looking for.
Legal Music Downloads
On July 28, 2004, French Internet access providers and music copyright owners signed a joint national charter aimed at cracking down on illegal downloads and expanding the amount of legal music tracks available online (AFP). This is the latest in a series of moves taken across the world to combat music piracy as production labels see more and more of their profits being lost to illegal downloads of music files.
Protocol for Piping a Formal Dinner: A Ceremonial Guide for Highland Bagpipers
It is believed that the custom of dining in began in the monasteries, was adopted by the early universities, and later spread to military units when the officer's mess was established. British officers of the 19th century were drawn from the aristocracy, and while they considered themselves gentlemen, they were not necessarily men of means; third and fourth sons had little chance of inheriting title and lands under primogeniture.
|home | site map|